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ART CENTER NEWSWIRE - February 21, 2000
PASADENA, CA, USA | To keep abreast of the exciting and innovative ideas, people and projects at Art Center College of Design, the media and general public can subscribe to Art Center's news digest by sending a blank email to: newswire-on@lists.artcenter.edu. We highlight some of the newsmakers in our Art Center community on the first and third Monday every month. To report news or obtain more information, contact Jan Kingaard, tel. 626-396-2394, fax 626-683-9233.
GREAT MINDS
The Digital Dialogue Series speaker Erik Loyer is an award-wining digital
media artist and a principal information designer for Razorfish. The
leading digital user experience developer has assembled a number of
experimental, non-commercial new media works that explore the creative
potential unleashed by the advent of digital communications. These works
appropriate the dynamic interactive vocabulary of computer games and apply
it to poetic content which users enact and explore. His Web site won a 1998
New Media Invision Silver Award and has been added to San Francisco Museum
of Modern Art's permanent collection. Its successor is being developed with
the support of a 1999 Multimedia Fellowship given by the Rockefeller
Foundation.
The Toyota Motor Corporation Endowed Lecture Series presented legendary
media activist Geert Lovink to share his thoughts about the intersection of
art ideas, and technology. Based in Amsterdam, Lovink is credited with
helping to patch Eastern Europe back into the mixing boards after the end of
communism, co-founded the essential mailing list www.nettime.org,
which is the central organ for the net's international intelligentsia. In
1997 he organized the Hybrid Workshop of media artists and activists during
Documenta 10 in Germany. Lovink has traveled the world coordinating events
and creating linkages with artists, activists, and deep thinkers using new
communications technologies while often decrying those very technologies.
Chosen as one of San Francisco Magazine's pick of 10 people who will shape
how we see the future, Amy Franceschini visited Art Center to open a
dialogue about digital design. Franceschini founded Futurefarmers in 1995
and the studio has evolved into a new media construct specializing in data
visualization via 3D animation, Web design, interface design, print, games,
motion graphics and environmental design. Among its distinctive print
electronic assignments, major clients include The New York Times, G-Shock,
Levi's, Autodesk, Nike, NEC and MSNBC.
ALYCE DE ROULET WILLIAMSON GALLERY
Pasadena Star News Art center's interactive Web site allows users to navigate 360 degrees at www.artcenter.edu/exhibit/williamson, html.
A new site specific interactive light and sound installation by Fine Art alumna Jennifer Steinkamp and Jimmy Johnson is featured through April 23. , The Los Angeles media artist uses computer-generated imagery in her large-scale work to blur the boundaries between real and virtual space. She has had recent solo exhibitions at the Henry Art Gallery, Seattle; ACME, Santa Monica; greengrassi Gallery, London; The Exchange, New York; and Institute of Visual Arts, Wisconsin.
ADVERTISING
CMYK Magazine A magazine ad for Fisher-Price toys by Art Center students was showcased. Up-and-coming creatives noted are Eric Goldstein, art director/copywriter; Brett Inber, art director/copywriter, and Andrea Gomez, photographer.
DIGITAL MEDIA
Joy Mountford has been a leading force in helping understand the ways in which people learn, communicate, and live with new technology. She explores how that research can launch companies and build partnerships to take new design concepts to market. Formerly with Palo Alto's Interval Research, Mountford's digitalDesigners@work presentation focused on Smart Objects.
Artist Natalie Bookchin spoke to students and faculty as part of the Digital Dialogue Series about her work in, around, and through the Internet and other new media. She pushes the boundaries of how new art is being made with emerging technologies, and through speakers series like at MOCA, how we talk about these phenomena.
ENVIRONMENTAL DESIGN
Exhibitgroup/Giltspur For the third year is a row, Art Center students have won a place in the National Exhibit Design Competition. Evonne Paik, fourth term environmental student, has won third place. She will receive $2,500 and a paid internship at one of Exhibitgoup/Giltspur's 17 design studios in North America. Her entry was showcased at the 2000 Exhibitor Show in Las Vegas, Nevada, this month.
Exhibitor Three of the four design experts to judge entries in Exhibitor magazine's 14th Annual Exhibit Design Awards competition were educated at Art Center. Environmental Design alumnus and instructor Rob Ball is a Los Angeles-based industrial consultant interested in story-driven concept and education-based sensory experiences. His museum and retail projects include "The Last Best Hope on Earth," the largest collection of Lincoln manuscripts ever assembled for the Huntington Library, and Port Discovery children's museum in Baltimore for Walt Disney Imagineering. Recent retail projects include concept stores for MGM Studios, No Fear clothing company, and nostalgia toy store Sparky's for Universal Studios as City Walk. Graphics alumnus David Takeuchi directs interior, architectural and graphic designers at Addison Branding and Communication's Retail studio. His clients include Chevron USA's "Extra Mile Market," Wells Fargo, Domino's Pizza, AAA, PG&E, and Ipiranga. Product graduate Tyler Garland is the managing director for product development at frogdesign San Francisco, where he integrates traditional product development with brand strategy and digital new media.
GRAPHIC DESIGN & ILLUSTRATION
Food Engineering Art Center students "toyed with packaging concepts" to research and design holiday and sports themed packaging and P-O-P displays for Nestle's "Magic" product. Recognizing the added value that packaging can bring after it has served its primary purpose of protecting the product, many students developed packaging designs that "morph" into toys for children over the 13 week exploratory sponsored project.
CMYK Magazine "Gwyneth Paltrow" and "Flying Rhinos" by illustration students Tamara F. Guion," and David Barneda, respectively, were showcased. The work was judged by Kinuko Y. Craft, one of today's most profound Renaissance painters and frequent lecturer, exhibitor and award winner. Design Judge Primo Angeli, selected graphic student Eric Aamoth's Boler Brewing Company beer packaging as notable in the Design category.
PHOTOGRAPHY
CMYK Magazine Four photography students from Art Center were selected by Joel Meyerwitz, author and sought-after "street" photographers, to show their work in the Winter 2000 publication: Pete Starman, David Studarus, Julia Kuskin and Vera Hartmann.
As a guest speaker for the digitalDesigners@work series, landscape photographer Stephen Johnson presented his recent project "With A New Eye," noting how he pushes his own vision of how we see and record light in the natural world. The digital photographic survey of selected American National Parks from 1994-1998 illustrates how he applied traditional processes and skills to the emerging technologies and aesthetics of digital photography.
PRODUCT DESIGN
San Diego Union Tribune Mark Rappaport, freelance gadgeteer, is making his mark as a toymaker supplying products to 1,000 independent sports and specialty toy stores in 46 states. Rappaport's three-year-old California Chariot Co. sells a sport scooter that combines a tricycle, two skateboards and the thrill he experienced as an 8-year-old riding a stripped down shopping cart on the streets of Los Angeles. He estimates sales will hit $6-$8- million this year. He spent several years at Parker Bros. in Massachusetts; founded What if? Toys and a novelty candy firm Sweet Rapper Candy Co. ; and worked as a toy designer for Mattel right after graduating from Art Center.
Footwear News Art Center alumnus Mark Smith, a former senior designer for the special projects group at Nike, Inc., is the new vice president of design for Vans Inc. Smith now oversees the design direction and development of footwear for the youth lifestyle brand.
School to Work News Under the sponsorship of Frank J. Zamboni & Co., Inc. and the Los Angles Kings, Art Center students conducted market research,developed storyboards and created prototypes of new ice resurfacing machines that are state-of-the-art advertising and entertainment vehicles. Richard Zamboni, company president, remarked, "The students came up with several fascinating ideas. In some instances they markedly improved on the form and function."
TRANSPORTATION DESIGN
Brandweek Though two of his most impressive career achievements and their gestation were behind his bosses' back at VW and Audi, DaimlerChrysler's advanced-design chief of six months, alumnus Freeman Thomas, says there is no secret to the crucial role of design in helping to define and enforce automotive brands. "Design really is the ultimate communication tool," said Thomas. "It communicates all of your brand equities. It communicates your history. It communicates your quality, your values. It communicates your vision. It does all of that. If you don't take advantage of that tool, you actually sell yourself short. It doesn't cost you any more to do a visionary design versus something that is just a pragmatic tool."
Automotive News GM has publicly stated a goal to make half of its future products innovative. Frank Saucedo's North Hollywood studio is charged with developing some of the new types of vehicles and architectures that will make it a reality. He believes that a couple of decades of conservative design have forfeited GM's styling leadership, and he intends to change that. "My goal is to be presenting a (concept) vehicle internally within a year," said the Art Center graduate and director of GM's new Southern California design center.
Innovation McKinley Thompson, the auto industry's first African-American designer, fell in love with cars when he spotted a brand-new silver Chrysler Airflow when he was 12 years-old. He entered and won a national competition sponsored by Motor Trend magazine that included a full scholarship to Art Center. His career spanned 28 years in Ford's Advanced Studio. Thompson's influence has been seen in several notable truck and automobile designs such as Ford's Worldwide Tractor and Thunderbird's tonneau cover. "Scientists and engineers are constantly expanding the technology envelope, thereby advancing the opportunities for humankind," Thompson said. "Designers bear a heavy social responsibility because the world depends on them to show what the future will look like and to point the way to a brilliant tomorrow." He credits much of his success to Art Center instructors: renowned automobile model maker Joseph Thompson and former GM designers Strother McMinn and George Jergenson.
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